CUBO produces sonorous archives in which different voices and public spaces are documented. The archive shows an ample range of participants and atmospheres which they go from sonorous atmospheres of the city, the voices of the inhabitants, the writing of his poets and writers, to the pop music that are interpreted in the streets, as well as the sonorous productions of collectives and contemporary musicians, all of this, projected- transmitted from the interior of an sculptural structure placed in different places in the public space.

The CUBO collective has taken this complex problem as a departure point to explore concepts of displacement, dislocation, circulation, mediazation, objectification, embodiment, consumption, and violence through the de- velopment of an immersive interactive sound and sculptural installation.

CUBO unfolds its aesthetic potential in concrete spaces as much as imaginary; it is drop-down architecture, a sonorous intervention in the noise of the city, a specific-social cartography that projects to the public, between the public, towards the public.